HRTMS Job Description Management
| Production Coordinator THEATER PROD SPEC 2 (006144) UCPath Position ID: TBD_1000179 | | |
Position Description History/Status | Approved Date: | 8/5/2026 5:02:13 PM | Date Last Edited: | 8/5/2026 5:02:09 PM | Last Action Effective Date: | | Organization Details | Business Unit (Location): | LACMP | Organization Code: | 1220O | Organization: | SCHOOL OF THEATER, FILM & TELEVISION | Division Code: | 1221D | Division: | THEATER, FILM & TV DIV | Department: | 046200 - DEAN THEATER, FILM & TV | Position Details | UCPath Position Number: | TBD_1000179 | Position Description ID | 262979 | UC Payroll Title: | THEATER PROD SPEC 2 (006144) | Personnel Program | Professional and Support Staff (PSS) | Salary Grade: | Grade 19 | Job Code FLSA: | Non-Exempt | Union Code (Collective Bargaining Unit): | 99: Non-Represented (PPSM) | Employee Relations Code: | E: All Others - Not Confidential | Employee Class (Appt Type): | 1 - Staff: Contract | Full-Time Equivalent (FTE) | 0.1 | SUPERVISION | UCPath Reports to Position Number: | 40297894 | Reports to Payroll Title: | Dean, School of Theater, Film and Television | UCPath Department Head Position Number: | 40297894 | Department Head Payroll Title: | Dean, School of Theater, Film and Television | | | |
Level of Supervision Received | GENERAL SUPERVISION - Indicates that the incumbent develops procedures for performance of variety of duties; or performs complex duties within established policy guidelines. |
Positions Directly Supervised | Job Code | Job Code Description | Total FTEs | | | | | |
Positions Indirectly Supervised | Job Code | Job Code Description | Total FTEs | | | 0 | | | | | |
POSITION SUMMARY | Serves as the operational coordinator for film productions, managing all phases of projects from development through distribution in support of the Dean's creative vision. Oversees production schedules, budgets, contracts, hiring, travel logistics, legal clearances, fundraising support, marketing, and film festival distribution, ensuring projects are completed on schedule, within budget, and in compliance with University policies. Collaborates with faculty leadership, University administrative units, production crews, funders, and external partners to resolve complex production challenges, supervise student employees and production support staff, and cultivate relationships that advance the successful completion, promotion, and distribution of film projects. | | | |
Department Summary | At the UCLA School of Theater, Film and Television we are committed to being a world-renowned interdisciplinary professional hub, dedicated to cultivating exceptional humanistic storytellers, trailblazing industry leaders, and insightful scholars. Rooted in our rich heritage as a top-tier entertainment and performing arts institution, we champion diverse and innovative voices that have the power to enlighten, captivate, and usher in transformative change for a brighter future. By seamlessly blending the study and creation of live performance, film, television, and the digital arts through our groundbreaking curriculum, we offer not just education, but experiences. We take pride in our doctoral pursuits in theater, performance studies, cinema, and media studies. Our mission is to inspire, engage, and challenge the next generation of entertainment and academic leaders to create a more inspired and inclusive world. |
Key Responsibilities and Essential Functions | Function | Responsibilities | % Time | Overall and Pre-Production | Create and manage all production folders and files Research and lock high-level production needs and costs Create and manage complex production, post-production and distribution/marketing schedules and timelines Create and update film budget with changing production needs Advise Dean (director/producer) and crew on unexpected production changes Find and implement changes and creative solutions within UCLA policies and procedures Organize and implement fundraising events and materials as needed Communicate with funders and Executive Producers about proposals and timelines as needed Lead all crew with preparation for production, ensuring all equipment, travel, food, lodging, set-up logistics are ready for production | 40% | | Recruit, interview and hire all crew, ensuring deal memos and rates are negotiated and secured legally and ethically Collaborate with TFT HR, Business and Finance teams to hire crew within UCLA policies and procedures Secure production insurance and workers compensation for production and crew, collaborating with insurance brokers, ensuring all legal needs are met Communicate generously with interviewees/participants to guide them through pre-production and production processes, including securing releases and coordinating schedules Communicate tactfully with location representatives or regional film offices, including securing location permission, permits and releases Communicate with crew, interviewees/participants, locations, TFT staff on changing production needs | 0% | | Create and implement a safety plan for production Collaborate with Dean’s team, including Associate Dean and CAO on high-level needs Collaborate with Dean’s Executive Assistant and to schedule meetings with the Dean and all crew throughout pre-production Collaborate with TFT Business and Finance teams and UCLA Travel Center to book travel and hotel for crew Collaborate with TFT Business and Finance teams for reimbursements within UCLA policies and procedures Manage and guide graduate student production coordinator through out the entire process Manage credits list of all crew, interviewees/participants, funders and other supporters | 0% | Production | Manage on location production, ensuring all crew, interviewees/participants, other stakeholders are aligned to create a smooth and safe production Manage production timeline, ensuring production stays on time and on task Find and implement solutions when issues arise during production Arrange meals, snacks, beverages based on crew and interviewees/participants food restrictions Support camera and sound teams during production as camera operator or assistant, sound recordist, G&E, DIT as needed Support Dean (director/producer) with anything that is needed to ensure a smooth production Manage mailing and location of hard drives, footage and assets | 30% | Post-Production | Manage post-production timelines and footage/assets Manage all post-production crew, including editor, assistant editor, advisors, colorist, post sound designer/mixer, offline editor Find and implement solutions legally and ethically Maintain confidentiality of all aspects of the film until it’s ready for marketing and distribution Collect and scan family and archival materials Research and obtain permission, licensing and clearance from copyright owners for all archival, family footage and intellectual property Collaborate with legal consultant to ensure all licensing and clearance for defamation, third party elements, privacy issues Collaborate with Dean’s Executive Assistant to schedule work sessions with Dean (director/producer), myself and post-production crew | 15% | | Lock credits with approved names and titles, and subtitles and captions as needed Advise Dean with story notes as needed | 0% | Marketing and Distribution | Secure all formats of completed film and trailer, including DCP and digital files Manage private screeners and dissemination of film files Collaborate with Dean’s Communications team, campus Strategic Communications, external press and media teams for marketing, press and promotion of the film Create EPK and press kit Manage and guide marketing and distribution student workers Manage and implement communications and social media plans, content, analysis with student workers Research and manage film festival spreadsheet and FilmFreeway Submit to film festivals within deadlines Organize and implement preview, donor and fundraising screenings Manage and send film deliverables for in-person and virtual film festivals and other screenings, working with event staff and projectionists | 15% | | Collaborate with website designer for film website and updates, including adding film festival screening and award laurels Collaborate with distribution and marketing consultants as needed | 0% | | | | | |
Other Requirements - Applies to all Positions | • | Performs other duties as assigned. | • | Complies with all policies and standards. | • | Complies with the University of California, Los Angeles (UCLA) Principles of Community. | • | This position description is not intended to be a complete list of all responsibilities, duties or skills required for the job and is subject to review and change at any time, with or without notice, in accordance with the needs of the organization. | | | |
Educational Requirements | Education Level | Education Details | Required/ Preferred | And/Or | | Bachelor's degree in related area and / or equivalent experience / training | Required | | | | | | | | |
Knowledge, Skills and Abilities | KSAs | Required/ Preferred | Knowledge of the entertainment industry related to film, television, theater, digital media, and animation is required. | Required | Highly computer literate-extensive experience utilizing Microsoft Office, including Word, Excel, Power Point and Outlook, and familiar with internet-based research applications, and graphics programs. | Required | Ability to work independently, organize work, set priorities that accurately reflect the relative importance of job responsibilities, handle several projects simultaneously, and adapt to fluctuating workload, frequent schedule changes, and interruptions. | Required | Ability to take initiative to follow through on assignments in a timely fashion with minimal supervision. | Required | Ability to maintain confidential and sensitive information with tact and discretion. | Required | Demonstrated excellent interpersonal skills to interact effectively, diplomatically, and cooperatively with high volume of administrators, faculty, staff members, students, vendors, members of the news media and the general public from diverse cultures. | Required | Ability to analyze situations and/or information, identify problems, propose alternative solutions, and/or problem solving as needed. | Required | Demonstrated experience with project management, and the ability to maintain timelines and keep production timely and within budget. | Required | Collaborate with legal consultant to ensure all licensing and clearance for defamation, third party elements, privacy issues. | Required | Collaborate with TFT HR, Business and Finance teams to hire crew within UCLA policies and procedures. | Required | Experience securing production insurance and workers compensation for production and crew, collaborating with insurance brokers, and ensuring all legal needs are met. | Required | Collaborate with distribution and marketing consultants as needed, and website designer for film website and updates, including adding film festival screening and award laurels. | Required | | | |
SPECIAL REQUIREMENTS AND/OR CONDITIONS OF EMPLOYMENT |
Reporting and Background Check Requirements | Background Check: Continued employment is contingent upon the completion of a satisfactory background investigation. | Live Scan Background Check: A Live Scan background check must be completed prior to the start of employment. |
Travel Requirements | Estimated Amount | Description | 5% | Travel may be required to be on-site at film shoots and for film festivals. | | | |
LOCATION AND PHYSICAL, ENVIRONMENTAL, MENTAL (PEM) REQUIREMENTS | Environment and Work Location Information | Environment Type: | Non-Clinical Setting | Location Setting: | Campus | Location: | 102 E Melnitz | | | |
Items Used | • | Office equipment including laptop, printer, and copier, etc. | | | |
Physical Requirements | The physical requirements described here are representative of those that must be met by an employee to successfully perform the essential functions of this position. | Physical Requirements | Never 0 Hours | Occasional Up to 3 Hours | Frequent 3 to 6 Hours | Continuous 6 to 8+ Hours | Is Essential | Standing/Walking | | X | | | | Sitting | | | X | | X | Bending/Stooping | | X | | | | Squatting/Kneeling | X | | | | | Climbing | X | | | | | Lifting/Carrying/Push/Pull 0-25 lbs | | | X | | X | Lifting/Carrying/Push/Pull 26-50 lbs | X | | | | | Lifting/Carrying/Push/Pull over 50 lbs | X | | | | | Physical requirements other | X | | | | | | | | | | | | | | | |
Environmental Requirements | The environmental requirements described here are representative of those that must be met by an employee to successfully perform the essential functions of this position. | Exposures | Never 0 Hours | Occasional Up to 3 Hours | Frequent 3 to 6 Hours | Continuous 6 to 8+ Hours | Is Essential | Chemicals, dust, gases, or fumes | X | | | | | Loud noise levels | X | | | | | Marked changes in humidity or temperature | X | | | | | Microwave/Radiation | X | | | | | Operating motor vehicles and/or equipment | X | | | | | Exposures other | X | | | | | | | | | | | | | | | |
Mental Requirements | The mental requirements described here are representative of those that must be met by an employee to successfully perform the essential functions of this position. | Exposures | Never 0 Hours | Occasional Up to 3 Hours | Frequent 3 to 6 Hours | Continuous 6 to 8+ Hours | Is Essential | Sustained attention and concentration | | | X | | X | Complex problem solving/reasoning | | X | | | X | Ability to organize & prioritize | | | X | | X | Communication skills | | X | | | X | Numerical skills | | X | | | X | Mental demands other | X | | | | | | | | | | | | | | | |
Blood/Fluid Exposure Risk | The exposure described here is what can be expected of an employee in performing the essential functions of this position. | X | Classification 3: Position in which exposure to blood, body fluids or tissues is not part of the position description. The normal routine task involves no exposure to blood, body fluids or tissues and the employee can decline to perform tasks which involve a perceived risk without retribution. | | | |
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